Paul and Sean discuss Bryan Caplan’s controversial take on college education as being primarily a form of social signaling, then Paul introduces Sean to the wonders of the Painter of Light himself, Thomas Kinkade, and what he symbolizes about the past, present, and future of evangelicalism.
After a brief farewell to Bernard Sanders, Paul and Sean discuss how the economy, labor, tech, and daily life have been transformed by the COVID-19 pandemic and which of those changes will persist even after the pandemic is over.
Paul is hopping mad as he and Sean discuss the many failures of the Food and Drug Administration in the early days of the COVID-19 pandemic. The US could have followed the example of South Korea, but instead of encouraging private companies to rapidly develop multiple tests for the virus as they did in Korea, the FDA created a single point of potential failure by giving only the CDC permission to develop a test. And, because we live in the worst timeline, it failed. They were also slow to remove regulations that discouraged manufacturers from switching over to surgical mask production.
This week, Sean admits to Paul that his Super Tuesday predictions were less than super. They then discuss the COVID-19 pandemic, HBO’s Chernobyl, and what HBO’s Chernobyl can tell us about the COVID-19 pandemic (spoiler: it’s not a flattering comparison!).
After a little coronavirus chat and a discussion of Paul’s Mini-Beef with Max Boot™, Sean and Paul square off on the electability question as it pertains to one Bernard Sanders.
Paul’s audio is bad. Sean is sick. And the episode is a week late. But our analysis of the Democratic primary still holds water. And Sean’s glimpse into the soul of the liberal establishment (i.e. a public interest communications conference called ‘Frank’) remains, regrettably, current.
At the request of one of our Patreon donors, Sean and Paul debate the need for intellectual property, coming to an agreement that, at a minimum, reform to copyright length is desperately needed. (Here’s a link to Paul’s blog post referenced in the conversation.) They also discuss Sean’s mixed feelings about the new movie, 1917, and the sorry state of the Democratic primaries.